Christian May, editor of City AM, joins Georgina Godwin to examine how London matches up against Dubai or Singapore in the battle for future innovation.

For more than two decades, Sir Alistair Spalding, Artistic Director of Sadler’s Wells, has made the case that the arts thrive on risk.

Mike Hodges, the director who gave British cinema Get Carter, revisits its stranger, more playful follow-up: Pulp.

AI is making visual effects cheaper, and as the success of films like Backrooms proves, it’s changing who gets to make movies.

What does the end of civilisation look like when you strip away the Hollywood spectacle? Caspar Salmon explores the Cannes-winning film, Sirāt.

Jane Fleischer Reid recalls how her grandfather, Max Fleischer, invented the innovative techniques that brought us Betty Boop, Popeye, and Superman cartoons.

Caspar Salmon revisits Andrew Niccol's 1997 science-fiction classic Gattaca to ask whether it predicted our age of relentless optimisation.

Helen Slater, star of the 1984 version of Supergirl, explains how she went from high school to starring in a major Hollywood franchise.

Georgina Godwin speaks with Alex Wills, co-founder of Interval, about why flexibility has become one of architecture's most valuable assets.

Britain has the world’s third largest tech sector. So why does it often feel like we're stuck? Former Chancellor Jeremy Hunt offers some answers.

Can tech make women safer? Plexal’s Lou-Davina Stouffs hosts a live panel discussion during SXSW London.

Is AI making the creative process more accessible? Georgina Godwin hosts a live panel discussion during SXSW London.

Georgina Godwin hosts a live panel discussion during SXSW London with Tamsin Ace, Richard Broom, and Gus Casely-Hayford. 

Frances Lasok explains how deepfake media is about to reinvent how modern elections are run.

NABA’s Diego Mattiolo on why the famed Italian arts school chose London as its next base.

Lincoln Center’s Shanta Thake on what makes art uniquely human in the age of machines.

Palantir’s Louis Mosley and Fractile’s Tom Westgarth on why London’s already winning the AI race.

Pixar veteran Michael Stein on why AI won’t replace movies – but it will change them.

Here East CEO Gavin Pool on why proximity is the most underrated competitive advantage in business.

The beauty industry is growing four times faster than the national economy. Millie Kendall says it’s time it was taken seriously.